I have edited several works of fiction, a memoir, grant applications (federal, provincial, and institutional), job cover letters, teaching philosophies, pedagogical materials for an online course, professional progress reports, conference papers, and abstracts.

Currently, I am an Assistant Editor at the Art Gallery of Ontario. I work on publications (catalogues) and on the exhibition copy (the text that goes on the walls) for exhibitions and collection rotations..

I have provided substantive editing, copyediting, language correction for ESL writers (Italian, French, Chinese, Russian), proofreading, and other services depending on the project.

Subjects of academic articles I have edited include English, French, Italian, and Russian literature and film, art history, philosophy and theory, sociology, medicine, and biology. I would like to expand this list.

I have also produced a number of indexes for academic books on literature, including the following two major publications:

• The Complete Correspondence of Samuel Richardson, vols. 5-7: Correspondence with Lady Bradshaigh and Lady Echlin, edited by Peter Sabor, Cambridge University Press
• The Oxford History of the Novel in English, vol. 2: 1750-1820, edited by Karen O’Brien and Peter Garside, Oxford University Press

Some of the other publications I have worked on in various capacities—mainly as copyeditor—are listed below:

• Papers / Cahiers of the Bibliographical Society of Canada
• A City Girl by Margaret Harkness, edited by Tabitha Sparks, Broadview Press
• Beyond the Suffering of Being: Desire in Giacomo Leopardi and Samuel Beckett, by Roberta Cauchi-Santoro, Firenze University Press
• Corporeality and Performativity in Baroque Naples: The Body of Naples, edited by Alessandro Giardino, Lexington Books
• The Cambridge Companion to Edward Gibbon, edited by Karen O’Brien, Cambridge University Press
• The Cambridge Companion to Emma, edited by Peter Sabor, Cambridge University Press
• The Complete Correspondence of Samuel Richardson (several volumes), edited by Peter Sabor and Thomas Keymer, Cambridge University Press
• The Complete Poems of John Glassco, edited by Brian Trehearne (forthcoming)
• Samuel Richardson in Context, edited by Peter Sabor and Betty Schellenberg, Cambridge University Press
• Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone, by Katherine Zien, Rutgers University Press
• Victorian Medicine and Popular Culture, edited by Tabitha Sparks and Louise Penner, Pickering and Chatto